What about Ophelia?

About a month ago, when we were in the mid-400 page range, I wrote about how there was a lot of water imagery associated with Don Gately. I’ve kept kind of half an eye out for this ever since. We see a lot more of it in this week’s milestone (and, though not covered here, beyond):

  • “Gately’s outsized crib had been in the beach house’s little living room” (809)
  • “It seemed to him more like he kept coming up for air and then being pushed below the surface of something.” (809)
  • “Some things seem better left submerged. No?” (815, spoken by Tiny Ewell, however)
  • “He ran through the crazed breakers to deep warm water and submerged himself and stayed under until he ran out of breath… He kept coming up briefly for a great sucking breath and then going back under where it was warm and still.” (816)

On page 814, there’s sort of a hidden reference to water, as the confessional Tiny Ewell mentions Gately’s “reluctant se offendendo,” which phrase has a note that reads as follows:

Latin blunder for self-defense’s se defendendo is sic, either a befogged muddling of a professional legal term, or a post-Freudian slip, or (least likely) a very oblique and subtle jab at Gately from a Ewell intimate with the graveyard scene from Hamlet — namely V.i. 9.

Whether Ewell is making a jab here or not, Wallace is inviting us to take a look at the famous graveyard scene from which he borrows a phrase for the book’s title. I don’t know about you, but I always tend to focus on Hamlet himself during the graveyard scene. What occurred to me this time around, as I had water on the brain, is that the funeral procession that follows Hamlet’s graveyard pontification is for Ophelia (also the referent of the aforementioned se offendendo), a character who went mad and drowned — the hidden water reference I mentioned. The “se offendendo” here would be Ophelia’s self-offense (or suicide) or possibly Gately’s having gotten himself (through no fault of his own and for entirely noble reasons) into a rather self-offending position.

Beyond that link, I don’t know that there’s much kinship between Gately and Ophelia. Ophelia goes mad and incoherent after her father’s death and so does have a sort of kinship with Hal, though it’s never the kinship that springs to mind when reading the book (are we that afraid of crossing gender lines? Wallace sure isn’t). But kinship with Gately? With the water imagery and the pointer back to Ophelia in this Gately/Ewell interface, I can’t help thinking something’s going on here. I just haven’t figured out yet what it is. Thoughts?